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Diversity in U.S. Mass Media
Provides students with clear and up-to-date coverage of the various areas associated with representations of diversity within the mass media Diversity in U.S.Mass Media is designed to help undergraduate and graduate students deepen the conversations around diversity, equity, and inclusion in the media industries.Identifying consistencies and differences in representations of social identity groups in the United States, this comprehensive textbook critically examines a wide range of issues surrounding media portrayals of race, ethnicity, gender, sexual orientation, disability, age, class, and religion.Throughout the text, students are encouraged to contextualize various issues, place one social group within the framework of others, and consider how diverse communities inform and intersect with each other.Now in its third edition, Diversity in U.S. Mass Media addresses ongoing problematic portrayals, highlights recent progress, presents new research studies and observations, and offers innovative approaches for promoting positive change across the media landscape.Two entirely new chapters explore the ways identity-based social movements, Artificial Intelligence (AI), gaming, social media, and social activism construct, challenge, and defend representations of different groups.Updated references and new examples of social group depictions in streaming services and digital media are accompanied by expanded discussion of intersectionality, social activism, creating inclusive learning and working environments, media depictions of mixed-race individuals and couples, and more.Offering fresh insights into the contemporary issues surrounding depictions of social groups in films, television, and the press, Diversity in U.S.Mass Media: Examines the historical evolution and current media depictions of American Indians, African Americans, Latino/Hispanic Americans, Arab Americans, and Asian AmericansHelps prepare students in Journalism and Mass Communication programs to work in diverse teamsCovers the theoretical foundations of research in mass media representations, including social comparison theory and feminist theoryContains a wealth of real-world examples illustrating the concepts and perspectives discussed in each chapterIncludes access to an instructor's website with a test bank, viewing list, exercises, sample syllabi, and other useful pedagogical tools Diversity in U.S.Mass Media, Third Edition, remains an ideal textbook for upper-level undergraduate and graduate courses in Media Communication, Film and Television Studies, Journalism, American Studies, Entertainment and Media Research, and Diversity, Equity, and Inclusion (DEI).
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Producing Queer Youth : The Paradox of Digital Media Empowerment
Producing Queer Youth challenges popular ideas about online media culture as a platform for empowerment, cultural transformation, and social progress.Based on over three years of participant action research with queer teen media-makers and textual analysis of hundreds of youth-produced videos and popular media campaigns, the book unsettles assumptions that having a "voice" and gaining visibility and recognition necessarily equate to securing rights and resources.Instead, Berliner offers a nuanced picture of openings that emerge for youth media producers as they negotiate the structures of funding and publicity and manage their identities with digital self-representations.Examining youth media practices within broader communication history and critical media pedagogy, she forwards an approach to media production that re-centers the process of making as the site of potential learning and social connection.Ultimately, she reframes digital media participation as a struggle for—rather than, in itself, evidence of—power.
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The Influencer Industry : The Quest for Authenticity on Social Media
A critical history of the social media influencer’s rise to global prominenceBefore there were Instagram likes, Twitter hashtags, or TikTok trends, there were bloggers who seemed to have the passion and authenticity that traditional media lacked.The Influencer Industry tells the story of how early digital creators scrambling for work amid the Great Recession gave rise to the multibillion-dollar industry that has fundamentally reshaped culture, the flow of information, and how we relate to ourselves and each other. Drawing on dozens of in-depth interviews with leading social media influencers, brand executives, marketers, talent managers, trend forecasters, and others, Emily Hund shows how early industry participants focused on creating and monetizing digital personal brands as a means of exerting control over their professional destinies in a time of acute economic uncertainty.Over time, their activities coalesced into an industry whose impact has reached far beyond the dreams of its progenitors—and beyond their control.Hund illustrates how the methods they developed for creating, monetizing, and marketing social media content have permeated our lives and untangles the unforeseen cultural and economic costs. The Influencer Industry reveals how, in an increasingly fractured and profit-driven communications environment, the people we think of as “real” are merely those who have learned to exploit the industry’s ever-shifting constructions of authenticity.
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Represent! : Studies of diversity and popular media culture
Even though knowledge about identity, sociocultural diversity, and popular media culture in society and academia has increased, many students, scholars, and engaged citizens are seeking out information and academic insights to being better equipped to talk and think about these themes.For instance, some may have a basic understanding of what ‘woke’ means but lack a historical awareness of the transformation of the term.Similarly, some may desire to understand why some television programs have been argued to be ‘heteronormative’ or ‘ableist.’ The aim of this book is to provide readers with comprehensible, tangible, and nuanced explanations about the way popular media culture has dealt with sociocultural diversity in Western societies.To do so, this book’s approach is threefold. First, starting from the belief that historical insights are essential to better grasp contemporary debates and practices vis-à-vis sociocultural diversity and popular media culture, the book provides insight into a selection of historical contexts and milestones.The historical sections will pay attention to changes in media representations of certain minority groups and to the way research into sociocultural diversity in media and popular culture developed.Second, the book explores a selection of key theoretical concepts, developed by scholars from communication sciences, media and cultural studies, and social theory, which help better understand the diverse ways sociocultural diversity has been engaged with in popular media culture, particularly in relation to aspects of production and representation.Third, the book offers reflections on contemporary trends, transformations, and challenges.
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Is there still enough diversity of opinion in our free media?
While there is still a diversity of opinion in the free media, there are concerns about the concentration of media ownership and the rise of echo chambers on social media. Large media conglomerates and tech platforms have significant influence over the information that is disseminated, which can limit the range of perspectives available to the public. Additionally, the polarized nature of political discourse has led to the proliferation of partisan news outlets, further narrowing the diversity of opinion. It is important for media consumers to seek out a variety of sources and critically evaluate the information they encounter to ensure they are exposed to diverse viewpoints.
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How can I emphasize my resilience and flexibility in my job application?
You can emphasize your resilience and flexibility in your job application by highlighting specific examples from your work experience where you have successfully adapted to change, overcome challenges, and demonstrated the ability to bounce back from setbacks. You can also showcase your ability to handle multiple tasks and prioritize effectively in dynamic work environments. Additionally, you can mention any relevant training or certifications that demonstrate your ability to adapt to new technologies or methodologies. Overall, providing concrete examples and evidence of your resilience and flexibility will help to strengthen your job application.
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What are mass media and communication media?
Mass media refers to various forms of communication that reach a large audience, such as television, radio, newspapers, and magazines. Communication media, on the other hand, encompasses all the tools and platforms used to transmit information, including social media, email, and websites. Both mass media and communication media play a crucial role in disseminating information, shaping public opinion, and facilitating communication on a global scale.
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Should I trust alternative media or mainstream media?
It's important to approach both alternative and mainstream media with a critical mindset. Alternative media can provide different perspectives and voices that may not be represented in mainstream media, but it's important to fact-check and verify the information. Mainstream media, on the other hand, often has more resources for fact-checking and verification, but it's important to be aware of potential biases and agendas. Ultimately, it's best to consume a variety of sources and critically evaluate the information presented.
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Social Justice, Activism and Diversity in U.S. Media History
This book offers a diverse approach to journalism history told from a multimedia perspective, re-examining mainstream stories and highlighting contributions that are often overlooked. Bringing together a team of prominent journalism historians, the volume centers race and ethnicity, gender and sexuality, class, religion, disability, mental health and generations to tell forgotten stories of journalism’s historical influence.The book is designed to appeal to Generation Z college students, offering budding mass communicators a valuable tool that addresses gaps in historical pedagogy and fosters representation in the classroom.Each chapter contains access to video and podcast extras, chapter summaries, guides to further reading and suggested activities to bring these narratives alive and keep readers engaged. Interactive and accessible, Social Justice, Activism and Diversity in U.S.Media History is an indispensable resource for Generation Z, scholars in mass communication and American history, journalists and general readers.
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The Authenticity Industries : Keeping it "Real" in Media, Culture, and Politics
In recent decades, authenticity has become an American obsession.It animates thirty years' worth of reality TV programming and fuels the explosive virality of one hot social media app after another.It characterizes Donald Trump's willful disregard for political correctness (and proofreading) and inspires multinational corporations to stake activist claims in ways that few "woke" brands ever dared before.It buttresses a multibillion-dollar influencer industry of everyday folks shilling their friends with #spon-con and burnishes the street cred of rock stars and rappers alike.But, ironically, authenticity's not actually real: it's as fabricated as it is ubiquitous.In The Authenticity Industries, journalist and scholar Michael Serazio combines eye-opening reporting and lively prose to take readers behind the scenes with those who make "reality"—and the ways it tries to influence us.Drawing upon dozens of rare interviews with campaign consultants, advertising executives, tech company leadership, and entertainment industry gatekeepers, the book slyly investigates the professionals and practices that make people, products, and platforms seem "authentic" in today's media, culture, and politics.The result is a spotlight on the power of authenticity in today's media-saturated world and the strategies to satisfy this widespread yearning.In theory, authenticity might represent the central moral framework of our time: allaying anxieties about self and society, culture and commerce, and technology and humanity.It infects and informs our ideals of celebrity, aesthetics, privacy, nostalgia, and populism. And Serazio reveals how these pretenses are crafted, backstage, for audiences, consumers, and voters.
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Disinformation Debunked : Building Resilience through Media and Information Literacy
Disinformation Debunked: Building Resilience through Media and Information Literacy examines the way media and information literacy (MIL) can address disinformation in conjunction with fact-checkers and developers, to benefit from the expertise of these fields in fighting disinformation. The book highlights the underlying stakes that are involved in the fight against disinformation, from producing smart tools to generalizing their use beyond the journalistic profession.It considers the MIL theories and methodologies at work in the digital era, especially from the perspective of digital visual literacy.Offering a comparative study of four European national experiences (France, Romania, Spain, and Sweden), the authors also make public policy recommendations to improve the fight against disinformation. This book is of great importance to students, scholars, and educators working on media and information literacy, digital media, journalism, mass communication, misinformation and disinformation.
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The Digital Evangelicals : Contesting Authority and Authenticity After the New Media Turn
When it comes to evangelical Christianity, the internet is both a refuge and a threat.It hosts Zoom prayer groups and pornographic videos, religious revolutions and silly cat videos.Platforms such as social media, podcasts, blogs, and digital Bibles all constitute new arenas for debate about social and religious boundaries, theological and ecclesial orthodoxy, and the internet's inherent danger and value. In The Digital Evangelicals, Travis Warren Cooper locates evangelicalism as a media event rather than as a coherent religious tradition by focusing on the intertwined narratives of evangelical Christianity and emerging digital culture in the United States.He focuses on two dominant media traditions: media sincerity, immediate and direct interpersonal communication, and media promiscuity, communication with the primary goal of extending the Christian community regardless of physical distance.Cooper, whose work is informed by ethnographic fieldwork, traces these conflicting paradigms from the Protestant Reformation through the rise of the digital and argues that the tension is culminating in a crisis of evangelical authority.What counts as authentic interaction? Who has authority over the circulation of information?While many studies claim that technology influences religion, The Digital Evangelicals reveals how Protestant metaphors and discourses shaped the emergence of the internet and explores what this relationship with global new media means for evangelicalism.
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Are you media?
No, I am not media. I am an AI digital assistant designed to provide information and assistance to users. My purpose is to help answer questions, provide guidance, and assist with tasks to the best of my ability. I do not have the capability to create or disseminate media content.
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What is the difference between social media and mass media?
Social media refers to online platforms that allow users to create and share content with a specific audience, while mass media refers to traditional forms of communication that reach a large audience, such as television, radio, and newspapers. Social media is interactive and allows for two-way communication between users, while mass media is typically one-way communication from the source to the audience. Additionally, social media is often more personalized and targeted, whereas mass media reaches a broader and more diverse audience.
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Is a media designer the same as a media designer?
No, a media designer is not the same as a media designer. It seems like there might be a typo in the question. If you meant to ask if a media designer is the same as a graphic designer, the answer is no. While both roles involve creating visual content, a media designer typically works with a broader range of media formats such as video, animation, and interactive content, while a graphic designer focuses more on static visual elements like logos, posters, and layouts.
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What is the difference between media production and media design?
Media production involves the creation and execution of media content, such as films, television shows, and podcasts. It focuses on the technical and logistical aspects of bringing a media project to life, including filming, editing, and post-production. On the other hand, media design involves the conceptualization and visual representation of media content, such as graphic design, web design, and user interface design. It focuses on the artistic and creative aspects of media, including layout, color, typography, and user experience. In summary, media production is about bringing content to life, while media design is about shaping and presenting that content in a visually appealing and effective way.
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